#1914 dapplegrey ln full
#1914 dapplegrey ln series

The European backgrounds of this have been intensively studied. Obviously, from what goes on between her and the parrot, in Anglo-American tradition she would prefer to drop the subject. It is somewhat unusual, however, to find as one does in Versions L and M that the girl recites what has happened to her. The parrot in 'Lady Isabel' and the parrot in 'Young Hunting' (Child 68) often get confused anyhow. Texts C and D, in which nettles or other brambles are removed from the river's edge, are not until except in the opening stanza which is borrowed from Child 105, nor are texts like L where the parrot (note he is a pirate in A) has been omitted.

#1914 dapplegrey ln series

Versions similar to A and B below (see Child E), in which the girl is told to remove a series of garments, are more common to New England than to the rest of the United States. However, the true core of the story, the vigorous nature of the heroine, is preserved faithfully-almost as well as in French Canada where Jeanneton kicks the man in the stream as he pulls off her stocking and then holds him under with a branch. It is easy to see that the Anglo-American texts, where even the supernatural nature of the lover has pretty well vanished and where the naive chivalry of the villain gives the girl her chance, are abbreviated and somewhat pale. Longer versions of the song may involve a conversation in which the girl asks her brother's permission to go with the lover who has sung irresistible melodies a choice given the maid between hanging and being stabbed remarks by the head of the decapitated lover a meeting between the girl, who is carrying the ogre's head, and the ogre's mother and the conquering maiden's blowing her horn like a warrior as she approaches her father's castle. Its theme, the story of the ogre who decoys maidens to their deaths but who is at last thwarted by an opportunistic girl, is widespread in tales (see Bluebeard and related matter) as well. This song is known to practically all the ballad-singing people of Europe from Scandinavia to the Latin countries and into Poland to the Netherlands.

[My title, replacing the generic Outlandish Knight.

#1914 dapplegrey ln full

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